IMPRESSIONS

...the one who looks for the magic word that would change for that water drop so important such as it is the memory for the survival. These paintings are the result of the dialectics that are always between reason and heart. In her artistic imaginery, they are the result of a risk, because finding that idea for her soul is more difficult than writting the longest subordinate sentece that we may construc. However, it is obvious that when she hangs them to participate, she perfectly knows that we are social beings, that by sharing responsabilities we grow up together, that is what it is about.

The previously written are ideas in sentences with messages that obey to the impression that the painting produces in the flaneur who looks without being seen. If you focus, they are the image of a caos delimited by a line which is the will of the painter. Together, colours and lines are the thousand different souls of the same person that avoids disorder or turmoil and tries to capture them ir order to make them an inseparable part of her personal patrimony. It is her peculiar manner of finding herself when she paints so that her biography is not desfigured.